1964年24min短片。

Landscape and Garden Architecture 　　"21st Century Garden Art” presents the latest innovations, as well as the most interesting persons setting the pace for landscape and garden architecture. We portray garden artists who, by respecting national traditions as well as the unique nature and character of the local topography, have succeeded in establishing a living relationship between their gardens and the realities of modern culture. 　　In the light of these challenges: What forms can gardens be expected to take in the 21st century? And, which functions must a present day garden fulfill? In sum, the age-old dilemma: How can human culture be reconciled to the natural environment? And, can modern mankind regain its lost Paradise? 　　The unique personalities and the varying strategies of the diverse artists portrayed, and, even more so, the gardens themselves demonstrate the remarkable variety of "21st Century Garden Art.”

Picture three places. 1. A workshop in Germany where we follow the making of a prosthetic hand. 2. A traditional glove-making workshop in Millau, in the south of France. 3. A jeans factory in Istanbul, illustrating large-scale industrial production. A succession of three workplaces, but with a common viewpoint and subject: the relationship between the hand and the machine, the work and the material, all of them patiently and rigorously observed. Daniel Eisenberg scrutinises these interactions and gestures meticulously, and he pays close attention to each action involved and to the time required for each operation, from the starting point to the finished forms. With this film, Eisenberg continues the work he started with his previous one, The Unstable Object (FID 2011), in which he also used a triangular structure to compare the work in a high-tech car factory in Dresden, then in an antiquated clock repair shop in Chicago, and finally in a cymbal factory in Istanbul. From one production site to the next, the film focuses on hands, bodies, images: reconstructed bodies, modelled bodies, dressed bodies. And on the social body as well – either collective bodies at work, or their images, shaped by the very objects which are being produced. The patience of an attentive camera and the fascinating rhythm of this choreography let the gestures fully unfold. The geography of production modes also shapes the story it underlies, like the globalisation of exchanges. And what is also paramount here is that the time it takes to make the objects seems to mirror the experience of the viewer watching the film, like an echo between absorbed gazes, theirs like ours. A nice piece of actual work from the gaze and the mind about the ever so unstable object that is work. 　　源自：https://fidmarseille.org/en/film/the-unstable-object-ii/

小杏（广末凉子 饰）自由便失去了父亲的关爱，和母亲一起过着相依为命的生活。幸运的是，小杏的母亲是一位十分坚强的女性，身为女性杂志编辑的她，从小就给小杏灌输着要自强自立的观念。 　　在母亲的影响下，小杏加入了学校的广播社团，并且制作了自己的节目“樱木新闻”。每天午饭时间，校园上空都会响起小杏亲切的声音，播报着学校周边发生的大大小小的事件。一场意外让小杏想起了一位名叫阿彻（圆岛努 饰）的少年，曾经，两人许下约定要一起拍一部电影。在老师的鼓励下，小杏决定兑现这一约定，她找到了曾经拍摄过的录音带，想要通过剪辑和拼接来完成她人生中的第一支纪录片。

Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard instead offers up a 17-minute barrage of re-edited footage of wars and Nazi atrocities, interspersed with clips of Maurice Chevalier in "Gigi" and Godard's own "À bout de souffle."

《二十世纪少女》以1999年为背景，友情比爱情更重要的17岁少女“宝拉”（金裕贞 饰）经历了痛苦但难忘的初恋，以及21世纪再次出现了的爱情故事，是往返于…

2018 年，导演山户结希策划了一个电影项目，也即是将来自多位同龄女性导演的作品集结起来，形成一部以自我意识和性为主题的完整集合。各位导演需要提供一部短片，之后这些短片反映的主题会被集结成一部混搭风格的电影，其主要目的是为了证明 21 世纪的女性是大胆、多元、富有创造力的，而且她们不会刻意回避这一点。 　　制作完成时，《21 世纪女子》由 14 部电影短片和结尾处的一部动画短片组成，这些短片均由 80 后或 90 后年轻女导演创作。这部影片大胆探索了关于人际关系、自我意识、性、爱、欲望等敏感话题，充分表现了幕后创作者们的大胆创新精神。

《21世纪家族》以生活在2012年韩国社会的家族为背景，将家族们的真实故事现实且讽刺的展开故事，预将成为20~30多岁年龄段观众感受新鲜的震撼和绝对同感的电视剧。

为期两年半的库尔斯克战役，终于令法西斯开始走向灭亡。1943年8月5日，苏军粉碎了敌人的抵抗，解放了欧勒尔市，德国在东方战线上的第三次攻势就这样失败了。